目 录
谈《樱桃园》………………………………………………………………… 彭 涛
米·布尔加科夫戏剧中的梦幻与现实………………………………………周湘鲁
从“万比洛夫派”到“新戏剧”：当代俄罗斯戏剧源流与发展考………王树福
从理想主义到否定主义
——论《玩偶之家》中娜拉的转变………………………………………梁 绯
罗伯特·威尔逊的艺术与政治：1960年代及以后
…………………………………………………玛丽亚·谢弗索娃著黄觉 译
法国的古典主义传统：矛盾与贡献…………………米歇尔·圣丹尼著 张南译
恢复完整的身体
——读铃木忠志《文化就是身体》……………………………………周夏奏
试论解放区的“翻身戏”…………………………………………………… 程娟娟
抗战背景下的话剧创作………………………………………………………张 华
爱美剧舞台上的奥尼尔
——交织文化的表演与中国戏剧现代性……………………………朱雪峰
扮装、反讽与乌托邦
——丁西林喜剧的越界想象与异质空间………………………………韩 琛
作为审美思维限制的戏曲艺术的间离
——以梅兰芳电影《游园惊梦》的昆曲表演为例……………………邹元江
不同宗,却同源
——2011国际舞台美术专业学生作品展及工作坊小记………………孙大庆
穿越新媒体戏剧的丛林
——记“延展生命——国际新媒体艺术三年展”………………………李铭韬
第二届世界戏剧院校联盟国际大学生戏剧节综述…………………………刘晓村
《戏剧》2011年总目……………………………………………………………
Drama （Quarterly）No.4 2011（Vol.142）
Contents
On The Cherry Orchard ……………………………………………………Peng Tao
The Dream and Reality in Bulgakov’s Plays…………………………Zhou Xianglu
From “Vampilov School” to “New Drama”: On the Starting Point and Evolution of
Contemporary Russian Drama ………………………………………Wang Shufu
From Idealism to Negativism: Nora’s Transformation ……………………Liang Fei
Robert Wilson’s Art and Politics: The 1960s and After
………………………………………………Maria Shevstova, trans. Huang Jue
The Classical French Tradition: Contradictions and Contributions
………………………………………Michel Saint-Denis, trans. Zhang Nan
Restoring the Wholeness of Human Body:
Notes on Culture is the Body by Suzuki Tadashi ……………………Zhou Xiazou
The “Emancipation Plays” in the Liberated Areas…………………Cheng Juanjuan
Dramas in China during the War agaisnt Japanese Invasion…………… Zhang Hua
Eugene O’Neil on the Amateur Stage in China: Performance in Interweaving
Cultures and Modernization of Chinese Theatre............................... Zhu Xuefeng
Role-acting, Irony and Utopia in Ding Xilin’s Comedies................. ........Han Chen
Inconsistency in Traditional Chinese Theatre as a Result of Limits of Aesthetic
Thinking: A Case Study of Peony Pavillion by Mei Lanfang
………………………………………………………………Zou Yuanjiang
Notes on 2011 International Stage Design Students’ Showcase and
Workshops ……………………………………………………………Sun Daqing
Notes on “Translife: International Triennial of New Media Art”………Li Mingtao
The 2nd World International Festival of GATS: A Summary……………Liu Xiaocun
Editor-in-Chief Liao Xianghong
Executive Editor in Chief Shen Lin
Editor Xu Jian, Huang Jue
The Central Academy of Drama
39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China
Tel. 0086 10 64056580
Email: xuebao@chntheatre.edu.cn, zhongxixuebao@gmail.com
