目   录

                                                 

在旋转世界上静止的点

——记2011年布拉格演出设计与空间四年展………………… 刘杏林

 

“铁幕”的循环利用

——兼谈近来人艺引进的两台外国戏……………………………… 张晴滟

解读《翻译》中的三种“认知暴力”……………………………………… 陈振娇

阿尔托“残酷戏剧”理论在中国大陆的传播、研究与影响……………… 韩德星

从“死亡”到“重生”

    ——奥尼尔失传剧本《驱魔》的发现与解读……………………… 康建兵

 

“戏剧情境”与“抒情”

——元杂剧结构分析并就教于洛地先生…………………………… 高子文

论“花雅同本”现象的复杂形态

——从《钵中莲》传奇的年代归属说起…………………………… 黄振林

明代演乐文化脉落考……………………………………………………… 刘士义

清代商业化进程中的广东戏剧…………………………………………… 甘子超

戏曲观摩会与当代文艺典范的推广

——以第一届全国戏曲观摩大会为中心…………………………… 王秀涛

 

电影研究中接受美学的三个向度………………………………………… 徐  枫

电影的文化消长与国家形象建构…………………………………………. 陈林侠

 

从戏剧源头探究多样性表达

    ——记第三届国际古戏剧大会……………………………………… 陈  刚

中英音乐剧表演教学工作室手记………………………………………… 李雄辉

 

 

 

 

Drama （Quarterly）No.1  2012（Vol.143）

 

Contents

 

At the Still Point of the Turning World:

A Note on the Prague Quadrennial in 2011 ………………………… Liu Xinglin

 

Cecycling the Iron Curtain:

A Discussion of Two Foreign Plays by the People’s Art Theatre… Zhang Qingyan

Three Types of Epistemic Violence in Translations ………………… Chen Zhenjiao

The Dissemination, Research and Influence of Antonin Artaud’s “Theatre of Cruelty” in Chinese Mainland………………………… Han Dexing

From “Death” to “Rebirth”:

Discovery and Interpretation of O’Neill’s Lost Play Exorcism……… Kang Jianbing

 

Dramatic Situation and Lyricism: A Structural Analysis of Zaju-opera in the Yuan Dynasty with a Deliberationwith Mr. Luodi ………Gao Ziwen

The Phenomenon of the Same Script for both Highbrow and Popular Performances: A Discussion Arisen from the Date of Lotus in the Vat……… Huang Zhenlin

Music, Drama and Dance in the Ming dynasty: The Bell and Drum Administration, the Royal Academy, Registered Musicians and Btothels…………… Liu Shiyi

Theatre Under the Impacts of Commercialization in the Qing Dynasty Guangdong........ Gan Zichao

Local Opera Showcase and the Promotion of Contemporary Performance Arts: A Case Study of the 1^st National Local Opera Showcase………………… Wang Xiutao

Three Dimensions of Reception Aesthetics in Film Studies........................... Xu Feng

Development of Film Culture and the Construction of National Image .. Chen Linxia

 

Diversity in Expression Explored from the Source of Theatre: A Note on 3^rd International Meeting of Ancient Drama ……..……… Chen Gang

A Note on Sino-Anglo Musical Performance Workshop…………….. Li Xionghui

 

Editor-in-Chief                 Liao Xiang Hong

Executive Editor in Chief         Shen Lin

Editor                        Xu Jian, Huang Jue

The Central Academy of Drama  39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China

Tel. 0086 10 64056580

Email: xuebao@chntheatre.edu.cn, zhongxixuebao@gmail.com