目 录
论戏曲剧种的变异––从歌仔戏说起………………………………陈世雄
欧阳予倩建设现代国民剧场的努力…………………………………陈建军
由人民新戏剧到东方奇观––当代文化语境中的戏曲媒介形象辨析
…………………………………………………………………张艳梅
关于戏剧观讨论的反思………………………………………………徐 震
对当下中国音乐剧现实题材创作问题的思考………………………满新颖
主动VS客动：社会表演学的哲学探索……………………………孙惠柱
何处“放虎”，哪里“归山”？
––社会演进中的《原野》舞台形象变迁………………………吴 戈
中央戏剧学院“导演、表演混合本科班”联合教学
研究报告（2002-2010） ………………………………………丁如如
明代闵刻《西厢记》彩色图画赏析…………………………………刘元声
“‘郭秃’辨”再辨 .......................................秦学人
宋杂剧“副末”脚色功能论…………………………………………汪龙麟
角色、脚色离合与戏曲叙述策略的形成……………………………曹胜高
略论露台、勾栏与舞楼之关系………………………………………曹 飞
“主仆”–陌路–伙伴：
20世纪法国剧作家与导演关系的演变 ………………………宫宝荣
逢场作戏––记西方“特殊场地演出”……………………………李 茜
从独幕剧《恭顺的妓女》看萨特哲学视野中的“我们”…………陈 溪
第六届亚洲戏剧教育研究国际论坛简讯……………………………刘晓村
Drama （Quarterly）No.1 2010（Vol.139）
Contents
Evolution of Indigenous Musical Theatre Genres:
A Case Study of Ge Zai Opera…………………………………Chen Shixiong
Ouyang Yuqian’s Efforts to Build a Modern National Theatre…..Chen Jianjun
Media Image of Traditional Chinese Operas in Contemporary China
……………………………………………………………………Zhang Yanmei
A Reflection on Debates about the Idea of Theatre in Recent Years……Xu Zhen
Some Thoughts on Current Creation of Musicals in China……………Man Xinying
Action versus Reaction: A Philosophical View on Social Performance Studies
………………………………………………………….………….Sun Huizhu
Changes of Socio-cultural Mentalities as Presented in The Wilderness……Wu Ge
Pedagogical Model of Acting-Directing 4-Year Bachelor Program
in the Central Academy of China: 2002-2010…………………………..Ding Ruru
Color Plates in a Ming Dynasty Printed Copy of The Romance of West Chamber
……………………………………………………………………Liu Yuansheng
A Further Note on Guo Tu ………………………………………………………………Qin Xueren
The Role of Fu Mo in the Song Dynasty Zaju-opera……………Wang Longlin
The Relation of Roles and Characters and the Formation of
Narrative Strategies in Chinese Traditional Operas……………Cao Shenggao
Terrace, Gou Lan and Storied-Stage…………………………………Cao Fei
“Masters-and-Servants”, Strangers and Partners: Evolution of
Playwright-Director Relations in the 20th Century France ……….. Gong Baorong
Site Specific Performance in the West: An Introduction …….. Li Qian
Sartre’s Philosophical Conception of “We” as Seen in
The Respectful Prostitute …………………………………………..Chen Xi
Editor-in-Chief Liao Xiang Hong
Executive Editor in Chief Shen Lin
Editor Huang Jue
The Central Academy of Drama
39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China
Tel. 0086 10 64056580
Email: xuebao@chntheatre.edu.cn, zhongxixuebao@gmail.com
