目   录

                                                 

人类学与戏剧研究……………………………………………………………………………………………………李祥林

由《空的空间》引发的思考…………………………………………………………………………………………刘立滨

专业术语背后隐藏着什么

    ——“小品方法”的起源……………………………………………………[俄]维尼阿民·菲尔金斯基  伏伟峰译

开拓、探索戏剧演出中的剧场性特征

    ——由话剧《潜在的支出》的演出所引发的思考………………………………………………………………杨硕

“死灰色”一个时代的特征

    ——论话剧《钦差大臣》的灯光特色…………………………………………………………伊天夫、谭华、叶皛 

波兰戏剧讲座：波兰的音乐性戏剧…………………………………………….[波]达里乌斯·科辛斯基黄觉、沈林译

想象与真相

    ——黄哲伦“美华三部曲”中的中国形象……………………………………………………………………陈光宇

现代寓言的舞台呈现：重解桑顿·怀尔德的《我们的小镇》…………………………………………但汉松、刘海平  

从新剧同志会到春柳剧场……………………………………………………………………………………………王凤霞 

春柳剧场演出翻译剧目《真假娘舅》的来源………………………………………………………………………吴晓樵

“新舞台”的剧场变革及其文化变迁………………………………………………………………………………王雪芹

改良戏曲寻常事，灯彩谁家比得来

   ——上海“新舞台”的戏曲改良运动……………………………………………………………………………陈文勇

当代传媒下的戏曲传承………………………………………………………………………………………………王省民

嘉靖锦本孤本传奇五种声腔归属及角色扮演考……………………………………………………………………马华祥

“全球本土化”与中国电影资本重组中的三种“跨地性”叙述…………………………………………陈林侠周露霞

 

Drama （Quarterly） No.1  2010（Vol.139）

 

Contents

 

 

Anthropology and Theatre Study……………………………………………………………………………………Li Xianglin

Implications of The Empty Space……………………………………………………………………………………….Liu Libin

What Is Behind the Jargon (Part II) ……………………………. Filshtinskiy Veniamin, trans. Fu Weifeng

Some Thoughts on the Performance of Hidden Fees…………………………………………………Yang Shuo

The Lighting Design of The Inspector General…………………………………………………….Yin Tianfu et al. 

Lectures on Polish Theatre: Polish Theatre of Musicality

………………………………………………………………Darius Kosiński, trans. Huang Jue and Shen Lin

Imagination and Truth: Chinese Imagination in David Henry Hwang’s Trilogy of Chinese American……………………………………………………………………………………………………………………Chen Guangyu

Modern Analogy and Stage Presentation: Interpretation of Thornton Wilder’s Our Town.………………………………………………………………………………………………Dan Hansong, Liu Haiping

 

From the New Play Comrade Association to the Chunliu Theatre……………………………Wang Fengxia

The Real Origin of The True and Faked Uncle ………………………………………………………….Wu Xiaoqiao

The Reforms and Cultural Development of the Shanghai New Stage………………………………………………………………………………………………………………………...Wang Xueqin

The Reformative Efforts of the Shanghai New Stage……………………………………………Chen Wenyong

The Development of Traditional Chinese Operas in the Context of Modern Media

  …………………………………………………………………………………………………………………………...Wang Xingmin  

Tune Family and Role Playing of the Five Unique Copies of Plays in

  Feng Yue Jin Nang ……………………………………………………………………………………………...Ma Huaxiang  

Glocality, Capital Restructuring, and Transcolaity: Three Cases………………..

  ………………………………………………………………………………………Chen Linxia and Zhou Luxia  

 

 

 

 

Executive Editor in Chief         Shen Lin

Editor                        Huang Jue

The Central Academy of Drama

39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China

Tel. 0086 10 64056580

Email: xuebao@chntheatre.edu.cn, xijuxuebao@yahoo.com.cn