目   录

约翰尼斯•舒尔茨：好的布景总是空的…………………………………………………………刘杏林
后戏剧剧场纵览……………………………………………………汉斯•蒂斯•雷曼 著   李亦男 译
20世纪的西方易卜生批评………………………………………  艾罗尔•杜尔巴赫 著  戴丹妮 译
“留比莫夫卡之子”与当今俄罗斯“新新浪潮”戏剧……………………………………… 王树福
多金——与世界对话…………………………………………………………列夫•多金 著  童宁 译
论歌舞伎舞台的祭典特征………………………………………………………………滕 军  马晓云
论《西厢记》在朝鲜半岛和日本的流传与接受………………………………………………  郭 燕
南通伶工学社的兴衰及其启示…………………………………………………………………  傅 谨
论陈瘦竹的比较戏剧研究……………………………………………………………………… 康建兵
中国戏曲祀神禁忌谈略
——从蒲县东岳庙土戏亵神谈起……………………………………………………………… 张勇风
明代弋阳腔传奇考辨方法撮要………………………………………………………………… 马华祥
消费文化视域下的话剧热点剖析……………………………………………………………… 杨新宇
新农村建设背景下的戏曲生态研究……………………………………………………刘 威  赵晓峰
多元语境下表演艺术的新思考…………………………………………………………………  周 艳
跨过语言门槛，走向学习坦途
——新疆民族班学习回顾……………………………………………………………玛依努尔•巴拉提

Drama （Quarterly）Winter  2010（Vol.135）

Contents

Johannes Schütz: Good Scene on Stage Is Always Empty………………………Liu Xinglin

Postdramatisches Theater: An Overview………………………………Hans-Thies Lehmann

A Century of Ibsen Criticism…………………………………………………………Errol Durbach

Children of Liubimovka and the New New Wave Theatre in Contemporary Russia

…………………………………………………………………………………………………Wang Shufu

Two Essays………………………………………………………………………………………Lev Dodin

Features of Sacrificial Rituals on Kabuki Stage …………………Teng Jun and Ma Xiaoyun

Spread and Acceptance of Romance of the West Chamber on Korean Peninsula and Japan

…………………………………………………………………………………………………………Guo Yan

NantongActing School: Its Rise and Fall and Implications…………………………………Fu Jin

Comparative Theatrical Studies of Chen Shouzhu…………………………………Kang Jianbing

Taboos of Performance as Sacrificial Rituals……………………………………Zhang Yongfeng

Text Research of the Ming Dynasty Chuanqi-Romance in Yiyang Opera: Methodology

…………………………………………………………………………………………………… Ma Huaxiang

China’s Spoken Drama Market in a Consumer Culture ……………………………Yang Xinyu

Local Operas in the Context of New Rural Construction………Liu Wei and Zhao Xiaofeng

Performing Arts in the Context of Diversity ……………………………………………Zhou Yan

Recollections of the Xin Jiang National Class in the Central Academy of Drama                                 

…………………………………………………………………………………………………Maynur Balati

Executive Editor in Chief         Shen Lin

Editor                             Huang Jue

The Central Academy of Drama

39 Dong Mian Hua Hutong, East District, Beijing 100710, China

Tel. 0086 10 64056580                    Email: xuebao@chntheatre.edu.cn