目   录

                                                 

 

社会问题应该在戏剧中自由讨论吗？

––谈谈萧伯纳和他的舞台现实主义      ………………………高音

舞台艺术创新的几种策略      …………………………………陈世雄

 

抗战时期的街头剧与大众政治行为        ……………………傅学敏

建构史诗：中国革命史的意识形态化和艺术化

––“样板戏”现实革命题材之路的多重意义阐释………高  波

 

民间法规与罚戏……………………………………………………车文明

存亡继绝的政治报负––《窦娥冤》思想主题再辨………………杨  健

 

一出没有女巫的女巫戏––解读凯丽尔·丘吉尔的社会主义女性主义名剧《醋汤姆》

…………………………………………………………秦  文

母性原则：异质文明交流的新途径

––论托尼·库什纳的《居家人/喀布尔》…………………范煜辉

 

港台的“在地经验”、后殖民文化及其抵制策略

––以台湾、香港、泰国电影文化为核心……………………陈林侠

 

欧洲木偶剧浅谈…………………玛格丽特·索瑞森 朱  凝 翻译整理

神游晋南  思接千古

––“读”镌刻在三晋大地的戏曲“活史”…………………胡薇

 

选美大赛………………………………………[俄]亚历山大·加林 张晴滟译

 

Contents

 

Should Social Problems be Addressed Freely on Stage: Notes on Shaw and His Realism   …………………………………………………Gao Yin

Stratagems for Theatrical Invention    …………………Chen Shixiong

 

Street Theatre and Popular Political Activities

in the War of Resistance Against Japan      ……………… Fu Xue Min

Constructing Ideology and Art:

Significance of the Revolutionary Operas      …………… Gao Po

 

Performance Prescribed by Folklore as Apologetic Action…………...Che Wen Ming

Envisioning National Salvation: Re-reading the Theme of Dou E Yuan     

…………………………………………………………Yang Jian

 

A Witch Play without a Witch: Carol Churchill’s Vinegar Tom ………. Qin Wen

Maternal Principle as a New Path for Interchange between Diverse Cultures:

Tony Kushner’s Homebody/Kabul …………………………….. Fan Yuhui

 

Hongkong-Taiwan’s “Local Experience” and Post-colonial Culture  Chen Linxia

 

A Glimpse into European Puppetry  …. Margareta Sörenson  (Zhun Ning tran.)           

Travelogue on Shanxi Sites of Ancient Theatre ……………………..  Hu Wei

 

Beauty Contest  ……………….. Alexander Galin   (Zhang Qingyan tran.)

 

                                                   

Executive Editor in Chief         Shen Lin

Editors                        Huang Jue   Zhao Zhiyong

The Central Academy of Drama

39 Dong Mian Hua Hutong, East District, Beijing 100710, China

Tel. 0086 10 64056580,  0086 10 64013687

Email: xuebao@chntheatre.edu.cn, xijuxuebao@yahoo.com.cn