目 录
戏曲音乐与声腔的形成…………………………………………李连生 5
视角的错位导致解读的错误
––对苏力《窦娥的悲剧––传统司法中的证据问题》一文
的几点文学辩证…………………………………………… 向 彪 17
当代舞台设计中的平面绘画因素……………………………… 刘杏林 26
文化唯物主义与新历史主义戏剧理论………………………… 郭玉琼 35
沉默背后的惩罚与矫正
––从文化唯物主义视角看《恶有恶报》中妇女主体意识
的压制和婚姻的社会功能…………………………………… 李 琼 43
谈《海鸥》…………………………………………………… 彭 涛 51
东南亚华语戏剧研究：问题与领域…………………………… 周 宁 62
中西比较视野中的台湾商业话剧……………………………… 胡星亮 70
“甘与吾民共死生”
––田汉旅桂时期戏剧活动中的民族精神………………… 申 燕 82
说说“话剧”这个名称
––兼及从“爱美剧”到“话剧”………………………… 胡宁容 94
近十年来革命“样板戏”研究述评………………………… 李 松 103
亨克曼……………………………………………………… 恩斯特·托勒 孙 柏译 129
Contents
Geneses of Chinese Indigenous Operatic Music and Vocal Styles…………. Li Liansheng
A Mistaken Perspective and a Misreading: a Response to
“Su Li’s Do-e’s Tragedy Evidence in Traditional Judicature”………. Xiang Biao
Elements of Painting in Contemporary Stage Design ………………………….. Liu Xinglin
Cultural Materialism and New Historicism in Theatre Criticism………………. Guo Yuqiong
Punishment and Correction: Repression of Female Subjectivity
and Roles of Marriage in Measure for Measure ……………………………… Li Qiong
Notes on The Seagull ……………………………………………………………… Peng Tao
Questions and Fields of Studies in Chinese Language Theatre
in Southeast Asia……………………………………………………………. Zou Ning
A Study of Taiwan Commercial Theatre from a Sino-Western
Comparative Perspective …………………………………………….. Hu Xingliang
National Spirit in Tian Han’s Dramatic Works in Guilin
during the War of Resistance against Japanese Aggression………………. Shen Yan
A Note on the Neologism of “Huaju”………………………………………. Hu Ningrong
Research on “Revolutionary Model Operas” in the Past Decade……… Li Song
Ernst Toller’s Der deutsche Hinkemann………………………………………… Sun Bai
Executive Editor in Chief Shen Lin
Editors Huang Jue Zhao Zhiyong
The Central Academy of Drama
39 Dong Mian Hua Hutong, East District, Beijing 100710, China
Tel. 0086 10 64056580, 0086 10 64013687
Email: xuebao@chntheatre.edu.cn, xijuxuebao@yahoo.com.cn
